OKAY. The movie. Let's talk.
Silver Linings Playbook
★★★
Bradley Cooper was f a n t a s t i c. Before Silver Linings Playbook I had only seen him in The Hangover, so his vulnerable, ulfaltering performance was all the more surprising. Due to his character's recently diagnosed bipolar disorder and tendency to "snap" in high-stress situations, his moods had to be all over the place, and Cooper played every mental state with enough heart and authenticity to send me careening off on an emotional tilt-a-whirl. What I really loved was how he made his mood swings and incredibly blunt social behavior seem understandable and even endearing, despite the possibility of them simply being the result of chemical imbalances in his brain.
And Jennifer Lawrence! Heavens to Betsy! She is everything anyone's ever cracked her up to be. At only 22 years old, I'm convinced she could play Betty White in a biopic and somehow make it great. Tiffany, like Pat, is a little socially unorthodox, but Lawrence also finds a way to make her boldness and outbursts seem rational. I was driving home from the movie and belting out to Miley Cyrus's See You Again (just s-s-succumb to that beat, you guys) when a car pulled up next to me at a stoplight. I looked over and had an internal argument with myself in the span of 3 milliseconds: Oh God those are boys in that car. I should stop dancing. Stop it, Kati--hey wait, what would Tiffany do in this situation? She'd keep dancing! Then I did a final head thrash, turned up the volume, and drove off, leaving those boys in the trail of dust and flames my minivan left behind. What I'm trying to say is, Tiffany's "I'mma do whatever the heck I want" attitude really stuck with me, and I send out a big virtual hug to Jennifer Lawrence for playing her with such confidence and ingenuity.
First you have Jacki Weaver, who plays Pat's loving, clucking, adorable mother, and I just wanted to squeeze her and watch football with her and gobble up all of her delicious "braciole, crabby snacks, and homemades." Whatever those are. And then there's Robert De Niro(!) who was in top form as Pat's dad: a bookmaker with slight OCD tendencies, who expresses his love in peculiar but well-intentioned ways. "I only talk about football because I love you and want us to have a common interest! I'm going to bet my entire life savings on this football game just because I LOVE you!" He was wonderful. And my goodness, the actors who played Pat's friends often stole the show. I hadn't seen Chris Tucker (Danny) or John Ortiz (Ronnie) before, and I can't wait to see more of them! They brought such understated humor and lightness to a movie that touched upon some heavy subjects.
And now to put a cork in my gushing: there were some aspects of the film I wasn't crazy about. Like how it was brought to a close. Up until the last 15 minutes, I was amazed at how fresh of a romantic comedy it was. The dialogue and the direction of that dialogue was consistently impressive while still being subtle, and the actions of the main characters were never predictable. But then, after the Little Miss Sunshine-like "climax" of the movie--which I found difficult to be emotionally invested in--David O. Russell seemed to just abandon all the realistic aspects of the plot and turn it into a straight-up clone of the endings found in any number of the forgetful love stories Hollywood churns out each year. Even more aggravating was how Pat and Tiffany seemed to lose their "crazy" by the end! Poof! All chemical imbalances can be cured by the clarity of love, apparently. The messier sides of mental illnesses that were well-addressed earlier in the film are pushed aside to make room for a happy ending, which knocked me off of my movie-watchin' cloud and brought me back to reality before the credits rolled. Oooooooh well. I'd still recommend seeing this, even if just for the performances, skillful directing, and soundtrack. Gotta find those silver linings, you know?
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